{"id":10019,"date":"2023-03-17T11:37:50","date_gmt":"2023-03-17T10:37:50","guid":{"rendered":"http:\/\/blog.rheinhessen.de\/?p=10019"},"modified":"2023-10-17T09:53:01","modified_gmt":"2023-10-17T07:53:01","slug":"where-stones-tell-stories","status":"publish","type":"post","link":"https:\/\/rheinhessenblog.de\/en\/wo-steine-geschichten-erzaehlen\/","title":{"rendered":"Where stones tell story(s)"},"content":{"rendered":"
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The new stone hall of the Alzey Museum brings the Roman era to life <\/figcaption><\/figure>\n\n\n\n

They are motionless and silent. And yet they tell\nhistory and stories. For a long time, they eked out a desolate existence in a\nin the backyard of the Alzey castle. Hidden from\nfrom the eyes of the public. But now the testimonies of the\nRoman past have been given a big stage - and what a stage it is. In the\nnew stone hall of the Alzey city museum, temple stones, capitals, pillars\nand other exhibits from the period between the 1st and 3rd century A.D. are presented\nare presented in an almost spectacular way. A must for Roman fans and those interested in archaeology.\ninterested, but also exciting for all other visitors to Rheinhessen's\n\"secret capital\". And this not least because of the modern, sacral\narchitecture of the building. <\/p>\n\n\n\n

\n
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The stone hall with its modern design sets an optical exclamation mark in the townscape of Alzey (c) Annegret Hirschmann<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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Large windows on the side walls let in a lot of daylight. They are \"shop windows\" in the true sense of the word. (c) Annegret Hirschmann<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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Well-lit by sophisticated lighting technology: the Roman treasures of the Alzey Museum (c) Annegret Hirschmann<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Upon entering the approximately 30-meter-long\nand about six meters high, one's gaze sweeps over the phalanx of\ncolumns, cuboids and sculptures. On the one hand, they are well illuminated by a sophisticated\nlighting technology, on the other hand, the large rectangular windows on the side walls\nrectangular windows on the side walls. They are \"shop windows\"\nin the true sense of the word, as Museum Director Dr. Rainer Karneth\ndirector Dr. Rainer Karneth: \"These large windows are intended to make people curious\nabout what we have here.\" This is particularly impressive after\nafter dark, when the interior is lit up and the facade is illuminated.\nis illuminated. <\/p>\n\n\n\n

Then the entire building appears even more\nmore forceful than during the day. The building, which is clad with gray-brown clay panels\ncontrast to the baroque building of the museum, which once housed a hospital.\nonce housed a hospital. A contrast that architect Ernst Eichler quite deliberately\nwas set deliberately. \"It is a museum and should also be recognizable as such,\" says the\nas such,\" says the man from Alzey. A stylistic imitation of the existing museum, to which the stone hall was\nto which the stone hall was added, was out of the question for Eichler from the outset. \"We\ncontrast to the old house and a dialog that combines both styles,\" explains Eichler.\nboth styles,\" Eichler explains. The surrounding development is characterized by\nan unsettled mix of styles from the sixties and seventies. In this respect\na historicist architecture at this location would not be a coherent solution.\nWith its modern design, the Steinhalle sets a visual exclamation mark in the\na visual exclamation mark in the Alzey cityscape. A look that impresses - and\nand polarizes. However, the aesthetics of this building are also in the eye of the beholder.\nof the beholder. Scoffers complain that the building is reminiscent of a submarine. But museum director\nKarneth, the museum's director, can handle that well. \"After all, we are also diving deep into the\nRoman history in our city,\" he notes with a wink.<\/p>\n\n\n\n

The construction costs amount to 3.3 million euros.\nconstruction costs. That's no mean feat. However, the sum also includes the\naccess to the municipal underground parking garage and the connection to the museum.\nare included. 85 percent of the costs for the Steinhalle come from funds provided by the\nEuropean Union. Without these earmarked funds, it would not have been possible to realize this cultural\ncultural gem could not have been realized. If the people of Alzey had not\nopportunity, the money would have gone to another city or region in the EU.\nwithin the EU. The Roman stones would then probably have remained in the\nday in the backyard chamber of the Burgraviate.<\/p>\n\n\n\n

During the construction only materials\nwere used, which were already known to the Romans: Wood, glass, clay and concrete. Concrete? Yes,\nConcrete. \"The Romans had 'invented' it,\" Eichler clarifies. And so the\nthe structure builds a bridge to its content. It provides the viewer with\nviewer both profound and surprising insights into the time around 2000 years ago.\nyears ago, when Alzey was still called Altiaium. This name is mentioned for the first time on a\na nymph stone from the year 223 AD. This is on display in the well-stocked\nRoman section of the museum next door. This \"birth certificate\" makes\nAlzey one of the oldest cities in Germany. Thus Alzey is already mentioned in the 18.\ncentury, when the nymph altar was found, Alzey was described as an old Roman town.\ndescribed.<\/p>\n\n\n\n

\n
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Nymph Stone: The name Alzey is mentioned for the first time on the Nymph Altar from the year 223 AD, which was found in 1783. It is thus considered the \"birth certificate\" of the city. <\/figcaption><\/figure>\n<\/figure>\n\n\n\n

The finds unearthed during excavations in the years\n1929\/31 support this attribute. About 80 altars,\nvotive stones, parts of Jupiter columns and architectural fragments from the time\nbetween the 1st and 3rd century A.D. were found not far from the site of the old\nthe site of the old Roman fort. They originate from the destroyed\nVicus Altiaium and were later built into a building of the fort. The\nRoman builders and craftsmen used the light colored sandstone from the nearby\nfrom the nearby Flonheim quarries. <\/p>\n\n\n\n

Almost eight decades later, in 2003, another spectacular find was made that once again brought Alzey to the attention of experts. With a Magna Mater altar and parts of a pillar of the gods, further important evidence of the Roman city history was excavated. <\/p>\n\n\n\n

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Magna Mater altar: On November 11, 237 A.D., Pacatia Pacata, the daughter of a councilor from Trier, donated an altar to the Great Mother Goddess, also called Cybele. The Romans adopted this cult, which originated in Asia Minor, in 204 B.C. The altar stone was dedicated to the procreative power of Patricius Cybelicus, who had emasculated himself for the Great Mother of the Gods. <\/figcaption><\/figure>\n<\/figure>\n\n\n\n

\"Alzey has thereby gained a great\nsignificance in the world of Roman archaeology,\" says Rainer\nKarneth the significance of the finds. \"The find from 1929\/31 is one of the\nlargest on German soil.\" Initially, the Roman stones were found in a storage building\nof the former Prinz Emil complex. After that, they moved to the\ncasino building, which is now home to the Youth and Cultural Center, before being\nthey then disappeared into the aforementioned backyard lot. <\/p>\n\n\n\n

Now the\nstones have found a domicile where they can tell their story. A\nstory with remarkable chapters. For example, the knowledge that Alzey was a spa and\nRoman times, Alzey was a spa and bathing\nwas a spa and bathing resort. The basis of the flourishing spa business at that time were springs and\nwells with sulfurous healing water. This was used in the spa facilities by the\nmedical staff to the spa guests. There was also a\ntemple district, where the healing and spring deities could be\nand spring deities.<\/p>\n\n\n\n

\n
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Apollo Grannus: Originally a walled-in dedication inscription for a sanctuary dedicated to the Roman-Celtic Apollo Grannus. Apollo, Roman god of the arts and god of healing, was here equated with the Celtic god Grannus, who was worshipped at healing springs and invoked in cases of illness. The inscription translates as: To Apollo Grannus Martius Senopatius consecrated (this temple) on August 18 under the consuls Piso and Iulianius (175 AD). <\/figcaption><\/figure>\n<\/figure>\n\n\n\n

The fact that people at that time liked to ask for the help of the gods is documented by a votive stone from 175 AD.\nis evidenced by a votive stone from the year 175 AD.\npart of a large temple built by Martius Senopatius Novellus and dedicated to\nand dedicated to Apollo Grannus. This is evident from the inscription. Apparently\nthe Roman-Celtic deity helped Novellus in his recovery.\nhelped him. In gratitude, the latter had the temple built. But help was also given\nSirona, the goddess of healing, who in the Celtic provinces was the\ncult companion of Apollo Grannus. Both had the\nAlzey had donated consecration stones to both of them as well as to Juno and the\nEnglish Bath, for the nymphs and Apollo Demioncus.<\/p>\n\n\n\n

\n
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Jupiter columns: In the stone hall of the Alzey Museum there are several Jupiter columns or individual parts of these columns, which were dedicated to the highest god of the Romans.<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

A not insignificant part of the exhibited stones are parts of\nJupiter columns. Particularly attractive are the representations of the Roman\nmain god as a so-called giant rider. Bearded and with flowing\nJupiter rides over a giant lying on the ground. The defeated\nenemy of the gods is depicted in the sculpture from the 3rd century A.D. as a mixed\nmixed creature with a human body and snake legs. Not only at\nthe viewer's gaze is not limited to this sculpture.\ncharming details. One is amazed and sees oneself abruptly in the\nRoman mythology with its gods and\nand rituals.<\/p>\n\n\n\n

\n
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Jupiter Column Giants: This upper part of a 3rd century Jupiter column shows Jupiter, the Roman god of state and heaven, riding over a giant lying on the ground.<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
\n
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Four gods stone: The Roman gods Vulcanus, Venus, Minerva and Hercules are depicted on this four gods stone of a Jupiter column from the 1st century AD.<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

\"What's important for us today is the spectrum of the\ngods that are represented here,\" museum director Karneth directs the view to\nthe insights for posterity that can be gleaned from the stones. Similarly\nthe finds on display here, the stone hall has met with a promising response from experts.\na promising response from experts. For example, the General Directorate of Cultural\nHeritage of Rhineland-Palatinate is positively disposed towards the project. The Stone Hall is also to be\npart of the Rheinhessen Roman Route (www.roemerroute-rheinhessen.de<\/a>)\nwill be. \"Alzey will be one of the milestones on this route,\" Rainer\nKarneth is certain. <\/p>\n\n\n\n

The collection of Roman artefacts displayed in the stone hall\nfinds is presented in an informative way for the visitors. Text panels provide\ninformation about the respective find. Via QR code the visitor can also\ndigital sources of information. Larger text panels on the walls provide\nprovide concise background information about the Roman period in Alzey and help visitors to\nhelp visitors to classify what they have seen. <\/p>\n\n\n\n

\n
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Multimedia 1 and 2: On a platform on the upper floor of the stone hall there is a multimedia station where you can virtually and interactively immerse yourself in the world of the Romans. From here you also have a good overview of the exhibition space. <\/figcaption><\/figure>\n<\/figure>\n\n\n\n
\n
\"\"<\/figure>\n<\/figure>\n\n\n\n

On a platform on the upper floor of the stone hall\na multimedia station is set up, where you can dive virtually and interactively into the world of the Romans\ninteractive virtual immersion in the world of the Romans. From here one also has\na good overview of the exhibition space. In the future, its equipment will include\nwill also include a special multimedia detail: A \"sound shower\" in the\nentrance area. Anyone standing underneath it will learn interesting facts about the history of the\ncity history. The text, which is played back in a continuous loop, was recorded by\nby the Mainz actor Tino Leo. <\/p>\n\n\n\n

\n
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In the neighboring Alzey City Museum, numerous finds from the Roman period can be seen in display cases. <\/figcaption><\/figure>\n<\/figure>\n\n\n\n

With the new Steinhalle, the Volkerstadt has gained an attrac\nattraction that radiates beyond the city limits. The exhibition\nprovides insights into the time when the Romans and their culture dominated the region.\nIf you would also like to learn more about the other epochs of the city's history, you should\nshould definitely visit the city museum, which is connected to the stone hall. Its\ncollection - also vividly presented - provides insights into the eventful\nAlzey's eventful history. User-friendly. Like the Steinhalle itself, the museum is\nthe museum is barrier-free and admission is free. An offer\nthat is not available everywhere.  <\/p>\n\n\n\n

Stone Hall and Museum of the City of Alzey
\nAntoniterstrasse 41
\n55232 Alzey
\nTel.: 06731 49 88 96
\nMail: museum@alzey.de
\nInternet: www.museum-alzey.de<\/a><\/p>\n\n\n\n

Opening hours:
\nMo - Fr 10 to 12.30 u. 13.30 to 16.30 h
\nSat, Sun and holidays 10 to 12 and 14\ntill 16.30<\/p>\n\n\n\n

Guided tours:
Bookable via the Tourist Information, Tel.: 06731 49 93 64; Mail: touristinfo@alzey.de<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Modern architecture meets ancient treasures. Where? In the new stone hall of the Alzey Museum. There you can see some of the most important Roman finds on German soil. The temple and votive stones, columns and sculptures tell a story that is still exciting after 2000 years. <\/p>","protected":false},"author":35,"featured_media":10065,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[320],"tags":[],"class_list":["post-10019","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-entdecken"],"acf":{"":null},"yoast_head":"\nWo Steine Geschichte(n) erz\u00e4hlen - Rheinhessen-Blog<\/title>\n<meta name=\"description\" content=\"Moderne Architektur trifft auf antike Sch\u00e4tze. Wo? In der neuen Steinhalle des Alzeyer Museums. Dort sind mit die bedeutendsten r\u00f6mischen Funde auf deutschem Boden zu sehen. 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Als Redakteur der Allgemeinen Zeitung und Buchautor habe ich das Geschehen im Land der 1000 H\u00fcgel intensiv begleitet. Meine besondere Aufmerksamkeit gilt dem Wein, dem ich mich unter anderem als Host des VRM-Podcasts \u201eWein x 1\u201c widme. Foto: Sascha Kopp\",\"url\":\"https:\\\/\\\/rheinhessenblog.de\\\/en\\\/author\\\/t-ehlke\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Where stones tell story(s) - Rheinhessen-Blog","description":"Modern architecture meets ancient treasures. Where? In the new stone hall of the Alzey Museum. There you can see some of the most important Roman finds on German soil. 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